Travel Photography when on a Tour

One may wonder, if you are not the professional photographer like those who can spend one to six months in one location scouting the angle of light, interesting vistas, interesting people, or subjects that will capture someone’s attention then how can you take great pictures while on a guided tour.  There term “Great” will differ between individuals.  There is the documentary photograph that proves you were there, reportage of the architecture, the landscape, both rural and urban and the people.  Aesthetic qualities are those that have artistic endeavors and/or capture a viewer’s eye.  This could always be debated as to which photographs have that quality or not.

In the past three and a half years, I have been on four major trips that were heavily dominated by tours while traveling with a group of friends.  This is the story of how I coped with the situation and how I captured images that I like.  Not necessarily ones everybody would like.

The four trips are a Tour of China, Fall 2010,; the cruise from Venice to Istanbul and back, Fall 2011; the cruise from Boston to Montreal, Fall 2012; and now the cruise from Singapore to Hong Kong, Feb. 2013. 

A decision I had to make is to what camera to bring.  In each case, I ended up bringing a DSLR with a 50 mm lens and a medium format film camera with an 80 mm lens.  There are some people reading this who would say, “You’re such a chuckle brain.  Just bring the digital!”.   OK, I love black and white and enjoy shooting with film.  You may be right in bringing just one, but I’m a little stubborn when it comes to image capture.  The digital is faster to compose and shoot.  The film camera I tried to set on a tripod and takes some time.

The China trip started in Beijing and went to Xian, Chengdu, Hong Kong, Guillin, Suzhou, and Shanghai.  There were 32 of us on the trip, so we had our own bus.  There was a local guide and a national guide.  Every day we were on tour. 

Great Wall

Great Wall

As I found that it was difficult to set up the tripod when we were on the move.  So most of the shots were digital.  There were instances when we had the freedom to explore with a fixed time to be back at the bus.  That’s when I was able to set up and shoot film.  Like a neophyte, this photographer brought ISO 100 film, therefore needing the tripod.   This or hold it very still.  On top of that, I brought color and BW film.  

Since you are always on the move, you have to shoot with whatever light and time of day that you arrive at a location.  There is no option to wait for another day when clouds are present or the light less harsh.  The trip to the Great Wall was actually a lucky day in regards to pollution.  It has rained the night before.  This cleared the air.  We were given the direction to climb as far to the top of the wall as we could and back to catch the bus at a certain time.  I lugged both cameras, tripod and my body up the wall.  There were steep inclines on the wall and of course there were elderly women chomping on an apple and prancing like they were walking on level ground.  I found a location and shot.  Still with the pressure to get back down from the wall on time, I felt rushed.  

If you get to Beijing, one of the coolest places is District 798.  Kind of a artsy area with coffee shops and art galleries.  The building there was an old military installation restructured for the shops.  Fascinating area, but of course I was the last to get back to the bus.

Xian is where the Terra Cotta soldier’s museum is located.  There is a Buddhist Temple there that is a little commercial, but a place where I found a good digital shot.  No time to shoot film here. 

Chengdu is where the Pandas live.  I was able to go in to shoot the pictures of each of our friends who held the Panda. 

Hong Kong was a fun place to visit and I got some shots of the bird merchants in an alley on film.  The rest of the visit was captured on digital.  Moving too fast.

In Guillin, there are beautiful hills that surround the Li River.  The day was a little hazy and the sun very bright.  Took a lot of shots in both film and digital, but few very good.  We traveled on the river in a boat, so the tripod was set up, but still was the motion of the boat.

In Suzhou we traveled to the village of Tongli which has one of the oldest tea houses in China.  The old village was good to photograph while waiting for the group to assemble.  Again it was rushed to follow the tour.

Shanghai is a huge city.  Most of the shots came from the digital.  The only film was shot from the hotel room through the window.

All the pictures above are film scans.  That’s it for now.  I’ll talk about the Venice-Istanbul next time.

Messing Around-Experiment

During the recent full moon, I decided to go out early in the morning to capture some images. The moon was setting at 6:39 am and the sun rise was around 7:15.  So I went to a point in San Francisco that has a view of Marin Headlands which one can get to by crossing the Golden Gate Bridge.  

I made the choice of capturing the lighthouse and its surroundings with a zoom lens set at 200 mm.  The lens was closed down to f22.  The shutter release was set to bulb and opened for 20 min at an ISO of 100.  Now for a digital sensor to absorb light for that time may produce unwanted effects, but I tried it anyway.  There are others who crank the ISO up to 800, 1600, 3200, etc., but I wanted to try it at 100.

Point Bonita in Moonlight

Point Bonita in Moonlight

This is what showed up.  The image is cropped about one third of the whole picture.  Even at 200 mm there is more water, land to each side and sky.  The moon was full and shining from the left of the picture and setting over the Pacific Ocean.  There is no lightening of the picture, but there was a flaw to the far left of the cropped area is a magenta blotch.  The num-nut photographer forgot to cover the eyepiece while the 20 minute exposure was happening.   The other time I've seen the magenta blotches is using a ND filter that does not have infrared filtering.  With something like a 10-stop ND, infrared waves still penetrate and make some things magenta.  If you are converting to black and white, not a big deal.

Well that's it for now.  Just try to go out there and try different things.  Most of all, have fun.  Hope the one or two of you reading this enjoy it.

130122 Pushing Film

Last week I was out practice shooting with a medium format camera.  The morning was crisp, the sun low in the sky and some beautiful clouds in the sky.  I went about shooting with the thought that the camera had ISO 400 film in it.  So the meter was set to measure light levels at ISO 400.  A roll of 12 shots reeled off and I got home to unload the camera.  To my dismay, I found the film to be ISO 100.  Oops.  

In film development, I have been using Xtol with the T-max film and develop for 10 minutes.  To push the development 2-stops, I increased it to 13 minutes, 1.5 min for each stop.  What came out was the black and white set in "Recent Work".  I like the look, but don't know if that's what properly exposed 100 film would look like with regular processing or the same with 400 film.  Here is one of the images.  I guess I'll have to go and shoot 100 film correctly and compare.

Bridge Shadow

Bridge Shadow

Everything is about learning.  Here are a couple of links to websites worth a visit if you are interested in photography.  You may be one of two people reading this and familiar with them already.  The Art of Photography is hosted by Ted Forbes and the site is full of videos, about 100+, all about photography.  It is an excellent place to learn.  Luminous Landscape has tons of articles about photography gear and other aspects of the art.  Hope you enjoy them.